February 03,
2010
Newsletter #130
Hello from Ariel!
In This Week's Issue:
- Where’s Ariel?
- THIS WEEK'S FEATURED CLIENT
- Osaru
- THIS WEEK'S FEATURED VIDEO - "The
Ballad of Joey And The Bottle of Booze" By Gabe
Hizer
- THIS WEEK'S FEATURED RESOURCES: A
BLOG, A PODCAST, & A STATION
- FEATURE INTERVIEW: The Irish &
Celtic Music Podcast
March 4-7
– ECMAs – Cape Breton Canada www.ecma.ca/
March
10 – 14 – Canadian Music Week
www.cmw.net/cmw2010/index.asp
March
14- 20 – SXSW
sxsw.com/
Osaru – Winston-Salem , NC
Genres:
R&B, Adult Contemporary, Instrumental, Smooth
Jazz
www.arielpublicity.net/clients/2683
Osaru is
a multi-talented musician, composer and vocalist
who lives and works in the heart of the Piedmont
Triad in North Carolina, USA. He also works full
time as a Physician.
His debut
CD, ‘home’ released in September 2008 was a work
of art. It took you on a journey through his early
adult years to the present day. It celebrated
life, love and long term commitment. He used
powerful vocals filled with soulful melodies to
complement punchy bass lines, hip hop chants,
jazzy undertones and ‘head bobbing’ percussive
rhythms. The result was his amazing musical
story.
THIS WEEK'S
FEATURED VIDEO
"The
Ballad of Joey And The Bottle of Booze" By Gabe
Hizer
Genre: SingerSongwriter,
Pop, Rock, Folk, Contemporary Folk
http://arielpublicity.net/clients/2695
Gabe
Hizer is a Nashville, TN-based singer-songwriter,
originally from Long Island, NY. He attended the
Berklee College of Music in Boston, MA, played in
various rock and pop cover bands in the 70s, and
more recently led a blues band for a couple of
years. He is now performing as a solo artist,
featuring his complex guitar arrangements,
well-crafted songs, and wide vocal range.
He is
clearly influenced by the singer-songwriters of
the ’60s and ’70s, such as James Taylor
(especially in his guitar parts), Joni Mitchell
(especially his use of high falsetto notes),
Jackson Browne, etc.
http://www.blip.tv/file/3164091
Featured Blog:
Baxojayz-Centricity
http://www.baxojayz.com/
Find out
about anything in the universe worth mentioning in
this weblog. The infinite knowledge of the
BAXOJAYZ will guide you to happiness previously
known only by those of my inner circle. Feel free
to comment. Sit back, read, let go of your
stresses and enjoy.
Featured Podcast:
Suffolk
and Cool
http://www.suffolkandcool.com/
An
eclectic global mix of the very best independent
music. Hosted by Peter Clitheroe, himself a
veteran of the music business, the show aims to
promote some of the finest new music to listeners
and to make connections between listeners and
musicians. Sessions at the Barn are featured from
time to time (live sessions recorded in the
barn/studio in Suffolk, UK.) Featured
Station:
New
Music Radio
http://newmusicradio.net/
An online
rock radio station playing the best in
independent music. New Music Radio also is
streaming in Second Life. Check out the New Music
Radio Pub in Second Life.
The Irish &
Celtic Music Podcast
Q)
Tell us a little bit about your podcast. What
initially inspired you to start
it?
A) The Irish
& Celtic Music Podcast is a twice monthly
podcast featuring mostly independent Celtic music
from around the globe. It began with a fascination
of the podcast as a promotional tool for my band
and for Celtic music at large. It started out as
an extension of my Celtic MP3s Music Magazine.
Eventually it surpassed the magazine in
popularity. I started it with my own desire to
promote my own unique stylings of Celtic and folk
music. Yet it is ultimately about helping
independent Celtic musicians gain a greater voice
in a noisy world.
Artists signed to major
or even smaller labels usually have a promotional
team out there spreading the word for them. I get
a ton of CDs from such labels as Compass Records,
which does a great service for the Celtic music
world. But bands like Poitin, The Tea Merchants,
Ed Miller, Maidens IV, Athas, Bedlam Bards, and
The Rogues don't have the money or resources to
notify all the Celtic media about their music. I
see my role as a facilitator to get their music in
front of people who want to hear it. And I'm happy
to say that I do just that.
Q) Why do
you believe new media resources (i.e. blogs,
podcasts, Internet radio stations) have become so
popular? How have they been beneficial to artists?
How have they been
detrimental?
A) I've
been riding the new media resource wave since my
MP3.com days when I was able to push the
Brobdingnagian Bards to the top of the charts. I
remember when MP3.com was closing down, I had a
choice: should I continue to give away free MP3s
even though we were not paid for the downloads, or
should I stop? I took, what felt like, a big risk
by continuing to give away all our music. I was
blown away to find people still seeking out and
BUYING our music BECAUSE we were giving it away.
It was then that I finally understood that old
marketer saying that whatever you give away for
free, people WILL pay for. It's true. Give away
your entire album. And you will get it back
because of your generosity.
Generosity is
one of those misunderstood and under-appreciated
character traits that will propel your musical
career. Give first. And you will receive. Put it
in whatever terms you wish: what you sow, so such
shall you reap; what goes around comes around; or
whatever. If you give, you will get something
back.
As a promotional tool, I have found
that podcasts, blogs, and Internet radio are great
for the indie artist.
Of course, for
listener, it's wonderful too. With RSS, blogs and
podcasts are at your convenience. Our
growing computer-based world makes Internet radio
better due to the ability to cater something to
Your needs. And it's all about you after all.
(Which again is why generosity is so much more
important.)
Now for the musician, it has
its problems. I spend much more time connecting
with fans, podcasting, and managing my blogs and
websites than I do playing, writing or recording
music. In fact, I'm supposed to be in the studio
right now. But I was checking my facebook and saw
an email I missed. Thus our networked world
requires greater discipline if we want to
adequately promote ourselves as well as build our
craft. It's not easy.
Q)
Media 2.0 has changed the way artists
communicate with fans. Where do you envision
online communication going next? Any thoughts on
what Media “3.0â€ð will look
like?
A) Well, I
definitely see more people connecting on phones. I
have dinner with friends, and it's humorous to see
five people pull out their iPhones and posting the
latest silly thing that happened on their Facebook
pages.
As for 4.0, I'm hoping for brain
implants... LOL.
However, I also feel that
the more we connect, the more we will need to
disconnect. So look for it. Never give up the
crafting of your art. Because it will always come
back to that, even if you can contact your fans
easier. Development of the music should always be
first.
Whether phones or brain implants,
you're gonna get like me, sick of staring at a
bloody computer most of the day promoting
yourself. That's when you'll find yourself
stepping off the internet and seeking a physical
connection with your networking world. Expect it
and plan for it. It's easy to be introverted and
use the internet to promote yourself, but
sometimes a face-to-face connection will do a ton
more for you than anything
else.
Q) What does
an artist have to do to get your attention? Are
there specific characteristics that you look
for?
A) I love that
question. Being a media mogul (hehe) and a
musician, I know the answer... and I too don't
listen to the answer. The answer for me is follow
up. Yup. Nothing fancy. But that's it. I get CDs
and bios all the time. The bios go straight to the
trash. The music gets ripped to MP3 and with any
luck (the other answer), I will listen and enjoy
their music enough to play them on the podcast or
mention them in one of my many music promotion
formats. But ultimately, it's about follow up. You
follow up enough and luck is no longer
necessary.
The problem really boils is that
artists are contacting dozens or scores of radio
stations, podcasts, blogs, and we don't follow up.
I know because I don't usually either. We hope our
music will speak for itself. But it doesn't. We
need to put it in front of the DJ or writer, ask
them to focus on it for a moment or two.
Otherwise, they won't give it the time of
day.
In fact, just the other day, I put a
CD in my car from an artist I received. I vaguely
remember sort of liking some track I heard of his.
So I put the CD in my car and listened. There was
only ONE follow up. I got the CD three years ago.
I LOVED the CD. Sadly, I was disappointed to find
that the artist had passed away.
It's a
great point. If you're not following up, and I
mean More than Once, you too might pass away or
your blossoming career may end before a DJ will
take the time to recognize your
greatness.
Yes. I have my own musical bias
as does anyone. But ultimately, I'm most likely to
listen to your music if I've heard of you or from
you several times over. Then you follow up after
your initial contact. Create a dialogue and you'll
create a bond that will bring you closer to your
favorite media mogul. Just make it sincere. You
can't shotgun your work if you want to achieve
success. Take your time. Build a network and
follow up.
Q) What
do you ultimately hope to accomplish with your
podcast?
A) My
podcast is already the most-popular Celtic podcast
online. That makes me happy because as I said, my
goal is to give independent Celtic musicians a
voice. That's what it's all about to me. I want to
help artists find their fans, and vice versa. I
feel like I'm doing that right now. So here's
hoping I have many, many more years of helping
Celtic musicians.
-- MARC GUNN,
Award-Winning Celtic American Musician and
Podcaster Thank You for Listening to My Music
-->
http://www.marcgunn.com and the Irish &
Celtic Music Podcast --> http://celticmusicpodcast.com
About the
Podcast
The Irish
& Celtic Music Podcast is a free, bi-monthly,
downloadable radio show of independent Irish &
Celtic music.
Irish
drinking songs, Scottish folk songs, bagpipes,
music from Ireland, Scotland, Brittany, Wales,
Nova Scotia, Galacia, Australia, the United
States, and around the world.
ABOUT US
Ariel Hyatt is the founder of Ariel Publicity
& Cyber PR, a digital public relations firm
that connects clients to the new media including
blogs, podcasts, Internet radio stations and
social networking sites. Over the past 13 years
she has represented over 1,435 musicians and
bands.
Educating musicians is her passion and several
times a year, she leads workshops teaching her
strategy of combining social networking with
Internet marketing to help clients grow larger
fanbases and earn more money.
The Second Edition of Music Success in Nine
Weeks is now available and has helped hundreds of
musicians navigate the new music marketing
landscape. "Sound Advice," her bi-weekly ezine and
Internet TV series currently reaches an audience
of over 20,000 music professionals. She is a
contributing blogger for Music Think Tank, and
Know The Music Biz.
Sign Up here: http://www.arielpublicity.com
CONTACT & INFO
Ariel Publicity & Cyber PR 389 12th
Street Brooklyn, NY 11215 http://www.arielpublicity.com http://www.bandletter.com http://www.myspace.com/ArielPublicityNY http://www.twitter.com/cyberpr
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